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	<title>The Migrant - a newcomer&#039;s notes (Feb 1997-July 1998)</title>
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	<description>Raj Arumugam</description>
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		<title>The Migrant - a newcomer&#039;s notes (Feb 1997-July 1998)</title>
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		<title>Brisbane, 2009</title>
		<link>http://migrantpoems.wordpress.com/2009/11/19/brisbane-2009/</link>
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		<pubDate>Thu, 19 Nov 2009 11:19:21 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Brisbane]]></category>
		<category><![CDATA[winter]]></category>

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		<description><![CDATA[winter in Brisbane<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=migrantpoems.wordpress.com&amp;blog=10250619&amp;post=33&amp;subd=migrantpoems&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Brisbane, 2009: 2 poems</p>
<p>&nbsp;</p>
<p><img class="alignnone" title="Brisbane3" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e6/City_botanic_gardens_%28duck_pond%29.jpg/800px-City_botanic_gardens_%28duck_pond%29.jpg" alt="" width="800" height="599" /></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>winter moon, misty moon</strong></p>
<p><strong><br />
</strong></p>
<p>winter moon, misty moon<br />
playful behind the trees<br />
over the hidden Brisbane river<br />
that makes the air thick with mist;<br />
winter moon, full-moon<br />
luminous and rolling<br />
behind brooding giant trees;<br />
winter moon, misty moon<br />
that makes its area luminous and clean<br />
and cares not if everything else is indistinct</p>
<p>&nbsp;</p>
<p><strong><br />
</strong></p>
<p><strong>winter sunset</strong></p>
<p><strong><br />
</strong></p>
<p>the morning started with fog<br />
and now late, a dark sky hangs over Brisbane;<br />
in the <a href="http://www.poemhunter.com/poem/winter-sunset-2/" target="undefined"></a>West a child has scrawled<br />
untidy clouds<br />
over the sun<br />
and the remaining pieces of silver<br />
are eaten like potato chips<br />
by the night</p>
<p>the winter night<br />
takes the sun in her ample breasts</p>
<p>the moon looks helpless on the opposite side</p>
<p><strong><br />
</strong></p>
<p>&nbsp;</p>
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		<title>The Pinch of Poverty</title>
		<link>http://migrantpoems.wordpress.com/2009/11/04/the-pinch-of-poverty/</link>
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		<pubDate>Wed, 04 Nov 2009 02:41:40 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[movement of peoples]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[pain]]></category>
		<category><![CDATA[poverty]]></category>
		<category><![CDATA[suffering]]></category>

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		<description><![CDATA[I stood there and denied them:
I am not the father; I am not the husband.
<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=migrantpoems.wordpress.com&amp;blog=10250619&amp;post=21&amp;subd=migrantpoems&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>The Migrant (a newcomer&#8217;s notes)</p>
<p>Part Three:  The Pinch of Poverty, Adelaide, July 1998</p>
<p><img class="alignnone" title="The Pinch of Poverty" src="http://www.oceansbridge.com/paintings/artists/recently-added/july2008/big/The-Pinch-of-Poverty-1891-xx-Thomas-Benjamin-Kennington.JPG" alt="" width="537" height="600" /></p>
<p>&nbsp;</p>
<h1>The Pinch of Poverty</h1>
<p>&nbsp;</p>
<p>I saw</p>
<p>The Pinch of Poverty</p>
<p>(no, not a film;</p>
<p>it&#8217;s a painting, oil on canvas, 1889;</p>
<p>the painter: T.B.Kennington.</p>
<p>You might have seen it on TV, yes.)</p>
<p>Well, after my minstrel&#8217;s wandering of the medieval section</p>
<p>of the Art Museum of South Australia</p>
<p>I moved up the steps</p>
<p>and on the left the family, it seemed, was waiting for me.</p>
<p>A woman, as I remember it now, her head</p>
<p>lowered and slanted to the left and a baby in her lap.</p>
<p>She sat on a low wall in the street</p>
<p>and her son, his face pale and afraid of the world,</p>
<p>his eyes uncommunicative,</p>
<p>stood leaning against her side. The daughter stood</p>
<p>on the pavement, as boldly as she could in the cold,</p>
<p>holding flowers for sale. And I stood before them.</p>
<p>I stood before</p>
<p>The Pinch of Poverty</p>
<p>and could not go.</p>
<p>Well, I went round the museum and came back;</p>
<p>three times I went and three times I came back</p>
<p>and stood before them.</p>
<p>I had to look at the sadness of this beautiful woman;</p>
<p>I had to look at the pained withdrawal of the boy,</p>
<p>I had to look for the baby&#8217;s face and I had to look at</p>
<p>the girl&#8217;s brave demeanor and</p>
<p>the delicate fingers that</p>
<p>held the flowers.</p>
<p>I stood there and denied them:</p>
<p><em>I am not the father; I am not the husband.</em></p>
<p>I could not go but I had to; I had to go</p>
<p>and I always wonder now when I am alone</p>
<p>what happened later to that beautiful mother.</p>
<p>Whatever happened to her timorous son</p>
<p>and her covered baby?</p>
<p>Whatever happened to that brave girl?</p>
<p>And as for me, what happened is that I have to live</p>
<p>with my guilt as I could not help.</p>
<p>I did not help.</p>
<p>I stood there and denied them:</p>
<p><em>I am not the father; I am not the husband. </em></p>
<p>&nbsp;</p>
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		<title>Part  Two  Life Resumed , Brisbane</title>
		<link>http://migrantpoems.wordpress.com/2009/11/04/part-two-life-resumed-brisbane/</link>
		<comments>http://migrantpoems.wordpress.com/2009/11/04/part-two-life-resumed-brisbane/#comments</comments>
		<pubDate>Wed, 04 Nov 2009 02:32:43 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[movement of peoples]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[alienation]]></category>
		<category><![CDATA[strangers]]></category>

		<guid isPermaLink="false">http://migrantpoems.wordpress.com/?p=17</guid>
		<description><![CDATA[To whom shall the unconnected man 
turn in a world disconnected and each turned in?
<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=migrantpoems.wordpress.com&amp;blog=10250619&amp;post=17&amp;subd=migrantpoems&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Part Two, Notes of a Newcomer &#8211; <em>Life Resumed, Brisbane</em></p>
<p><img class="alignnone" title="Brisbane suburbs" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/70/Brisbane_seen_from_air.jpg/800px-Brisbane_seen_from_air.jpg" alt="" width="487" height="364" /></p>
<p><strong>Life Resumed , Brisbane</strong></p>
<p>I looked at myself yesterday</p>
<p>and found myself deep in mud.</p>
<p>No, not just in mud but mud myself;</p>
<p>mud in my head, mud in my mouth,</p>
<p>mud in my stomach and mud in my lungs</p>
<p>mud myself</p>
<p>And not like the lotus growing in the mud</p>
<p>but mud itself</p>
<p>propagating itself</p>
<p>for its own purpose</p>
<p>mud my head mud my mouth</p>
<p>mud my stomach and mud my lungs</p>
<p>mud my mind mud my spirit mud my soul</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Working again </strong></p>
<p>What has all this done to me?</p>
<p>Who&#8217;s left here a dried cadaver now</p>
<p>till next morning</p>
<p>to rise again</p>
<p>a smiling fool only to travel</p>
<p>and live the working day</p>
<p>and a day of various affiliations</p>
<p>to end a dried cadaver again?</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Now  that I am no longer present </strong></p>
<p>Now that I am no longer present</p>
<p>what do they say of me there</p>
<p>within that small group within which I was known?</p>
<p>I can see the portly</p>
<p>happy man</p>
<p>pointing to his head and saying</p>
<p>He knew a lot of things.</p>
<p>Do they speak of me as a nice chap</p>
<p>easy to talk to, mild and not offensive?</p>
<p>(Oh, they would I&#8217;m sure.)</p>
<p>Awkward and shy he was,</p>
<p>says another. And then perhaps it crosses</p>
<p>their minds that they speak of me</p>
<p>as if they were speaking of the dead.</p>
<p><em>He&#8217;s still alive,</em></p>
<p>perhaps someone mentions</p>
<p>and there is subdued laughter.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Quick and nimble</strong></p>
<p>My friend helping me on a shopping trip</p>
<p>as I set up home requests</p>
<p>that he use his credit card and could</p>
<p>I give him a cheque for the amount.</p>
<p>I&#8217;ve got no problem with that.</p>
<p>My friend gets his fly-buy points</p>
<p>(or is it credit card points? Or is it both?)</p>
<p>and I get a little wisdom:</p>
<p><em>how swift the world is, and how it</em></p>
<p><em>calculates its ways and moves. Quick and</em></p>
<p><em>nimble, as they say, to survive in</em></p>
<p><em>a fast-moving society. Be quick and agile.</em></p>
<p><em>Or you&#8217;ll lose out. </em></p>
<p>No. I&#8217;m content;</p>
<p>I&#8217;ll earn my money</p>
<p>and I&#8217;ll pay for what I get.</p>
<p>I shall live as I came, simple and content.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>You talk fast</strong></p>
<p><strong><br />
</strong></p>
<p>There is another way of talking and chatting;</p>
<p>there are other ways.</p>
<p>One could be slow</p>
<p>and could wait; one could listen</p>
<p>to the other and not butt in as quickly as possible;</p>
<p>one could listen till the other finishes</p>
<p>and only speak when the other is ready to listen and to</p>
<p>understand.</p>
<p>One could be slow and meaningful</p>
<p>utter only words that capture your feelings.</p>
<p>But you only seem to understand</p>
<p>the rapid gunfire way.</p>
<p>There are other ways.</p>
<p>in more desert</p>
<p><em>so from desert to desert one goes</em></p>
<p>You can&#8217;t say that&#8217;s exile</p>
<p>for one place is just like another</p>
<p>no one knew me there,</p>
<p>no one knows me here,</p>
<p>unacknowledged and unknown</p>
<p>one moves and one wanders</p>
<p>and one orientates</p>
<p>one traverses the vast desert across the globe</p>
<p>and exile is a false term for the sands</p>
<p>merely shift from one place to another</p>
<p>and the one has not moved</p>
<h1></h1>
<p><strong>Gentless</strong></p>
<p>go down the path of peace;</p>
<p>take the road down gentleness</p>
<p>walk the way of meekness</p>
<p>and one day a tribe will arrive</p>
<p>and beat you to a pulp</p>
<p>and beat you so good</p>
<p>you&#8217;ll never be able to stand up again.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Portrait</strong></p>
<p>Four truculent decades have trundled down the slope</p>
<p>and the subject life&#8217;s left me is myself.</p>
<p>Not a Rembrandt self-portrait or a Picasso</p>
<p>or even a tortured Vincent;</p>
<p>merely a portrait to hang in</p>
<p>the closed-door dusty gallery</p>
<p>of a man who has no claim on the world</p>
<p>&nbsp;</p>
<p><strong>It&#8217;s my life</strong></p>
<p>&nbsp;</p>
<p>They&#8217;re here on planet earth to live their lives</p>
<p>to discover their real selves, to give expression</p>
<p>to their true needs. So mother buys the best perfumes</p>
<p>and crowns herself with sundry styles at various hairdressers;</p>
<p>and the daughter learns about mascara and facials</p>
<p>and she discovers a new restaurant on each voyage.</p>
<p>They&#8217;re here to be themselves.</p>
<p>Discover Your Self</p>
<p>is the buzz phrase.</p>
<p>Or</p>
<p>Discover the Real You.</p>
<p>The son has a sports car and revs his engine</p>
<p>so he drives down the lane and his head rests</p>
<p>on his sleek mobile phone.</p>
<p>A chip off the old block</p>
<p>which is itself still inchoate and incoherent.</p>
<p>They&#8217;ve got slogans like</p>
<p><em>It&#8217;s my life; Life&#8217;s for living.</em></p>
<p><em>Live your life. Find fulfillment. Satisfaction.</em></p>
<p><em>Enjoy!</em> It&#8217;s an anthill here on planet earth</p>
<p>with so many beings running in all directions</p>
<p>discovering their true selves</p>
<p>and finding true bliss.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Oedipus-like </strong></p>
<h1></h1>
<p>(i)</p>
<p>Yes, I left but I am no further</p>
<p>away from you and formations and life</p>
<p>than I was before</p>
<p>The physical journey and remove</p>
<p>make things and events seem real</p>
<p>but I traveled a great distance really a long time ago.</p>
<p>I wish you well and, except for the occasional</p>
<p>(fair comment, as journalists might say) bitter word</p>
<p>that even you will allow one who lived in your midst</p>
<p>and is so removed, I speak no ill and</p>
<p>every time I hear of you or am</p>
<p>made reluctantly to speak of you</p>
<p>I feel my distance. I feel again strongly</p>
<p>how far I have always been</p>
<p>to all things close to me.</p>
<p>(ii)</p>
<p>I cannot say how it happened but</p>
<p>a long time ago, so far away I cannot</p>
<p>salvage when precisely from the ocean of memory of you,</p>
<p>I traveled far within; I became isolated and alone and</p>
<p>could not say a word any more to you.</p>
<p>You might say, in rejecting home he rejected everything;</p>
<p>for a man who can&#8217;t fit at home</p>
<p>will not &#8211; (I know you will not use the word probably) -</p>
<p>find anywhere a home.</p>
<p>(iii)</p>
<p>You might say</p>
<p>again</p>
<p>the man who rejects his home</p>
<p>rejects all places; the man who felt alone</p>
<p>in his own home will feel so everywhere.</p>
<p>And so I carry this with me; no, it is not this</p>
<p>place&#8217;s fault, nor your fault that I first felt that way</p>
<p>but it is a curse that perhaps I drew upon myself Oedipus-like</p>
<p>that I should wander the terrain of the earth</p>
<p>isolated, alienated, unconnected and feeling alone.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>You sent me away</strong></p>
<p>I did not go away on my own;</p>
<p>not of my own accord was this done.</p>
<p>You sent me away</p>
<p>(or perhaps, I should say,</p>
<p>circumstances did;</p>
<p>you taught me to be vague,</p>
<p>not to seize the bull by its horns</p>
<p>for there is only one man in your annals</p>
<p>who can ride the beast)</p>
<p>because I could not do things the right way</p>
<p>unlike yourselves who know right and wrong</p>
<p>who know the moment and supply and demand</p>
<p>and propriety and the right views and the truth always</p>
<p>I knew nothing of that sort</p>
<p>for I had merely stumbled upon your community</p>
<p>and stayed long and always felt estranged.</p>
<p>Then you pushed me away</p>
<p>(or perhaps, I should say,</p>
<p>circumstances did)</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Songs of leaving</strong></p>
<p>Stop there, friend</p>
<p>you who have packed your belongings</p>
<p>and so quietly, almost with stealth</p>
<p>and tell me where you are off to.</p>
<p><em>I&#8217;m moving, dear friend,</em></p>
<p><em>as anyone would when the time comes.</em></p>
<p>But you would leave your friends?</p>
<p><em>Some leavings, in a way, are like death,</em></p>
<p><em>my dear friend,</em></p>
<p><em>and one has no choice.</em></p>
<p><em>Truly, not all</em></p>
<p><em>goings and comings</em></p>
<p><em>the ins and outs</em></p>
<p><em>meetings and departures</em></p>
<p><em>are within our control;</em></p>
<p><em>some are outside our wills.</em></p>
<p>(ii)</p>
<p>Dear brother,</p>
<p>sit a while</p>
<p>and talk to me.</p>
<p>Is it right what you do,</p>
<p>to go away from your brothers and sisters?</p>
<p><em>There is the rare occasion,</em></p>
<p><em>dear sister,</em></p>
<p><em>when the wrong is right.</em></p>
<p><em>Your brother must go that way now.</em></p>
<p><em> </em></p>
<p>And the love, dear brother,</p>
<p>the love that binds brothers and sisters?</p>
<p><em>What of that?</em></p>
<p><em>That love,</em></p>
<p><em>dear sister,</em></p>
<p><em>that love </em></p>
<p><em>will let me go.</em></p>
<p>(iii)</p>
<p>So is it come to this,</p>
<p>dear neighbor,</p>
<p>that you will leave us all and go?</p>
<p>We are not good enough for you, eh?</p>
<p><em>Perhaps,</em></p>
<p><em>my good neighbor,</em></p>
<p><em>it is I who&#8217;s not good enough for you all</em></p>
<p><em>for I&#8217;ve made all our</em></p>
<p><em>communication</em></p>
<p><em>frigid</em></p>
<p><em>because of my reticence</em></p>
<p><em>my unwillingness</em></p>
<p><em>my abruptness</em></p>
<p><em>my awkwardness</em></p>
<p><em>my lack of confidence</em></p>
<p><em>my withdrawals</em></p>
<p><em>my silences</em></p>
<p><em>I think of the many occasions</em></p>
<p><em>when what I&#8217;ve said made no sense</em></p>
<p><em>and many turned away</em></p>
<p><em>as people said</em></p>
<p><em>It is so</em></p>
<p><em>because</em></p>
<p><em>he does not know </em></p>
<p><em>how to say what he wants to say.</em></p>
<p><em>It&#8217;s my fault,</em></p>
<p><em>good neighbor,</em></p>
<p><em>and I must go</em></p>
<p><em>somewhere</em></p>
<p><em>where even the inapt will find a place</em></p>
<p><em>because of its immense space.</em></p>
<p>(iv)</p>
<p><em>I kiss your feet,</em></p>
<p><em>dearest mother;</em></p>
<p><em>I prostrate before you,</em></p>
<p><em>dearest father;</em></p>
<p><em>forgive me and let me go</em></p>
<p><em>for it is my time</em></p>
<p><em>to cross the </em><em>Ocean</em><em> of </em><em>Pain</em><em>.</em></p>
<p>(v)</p>
<p><em>You are not filled </em></p>
<p><em>with bitterness,</em></p>
<p><em>are you?</em></p>
<p><em>Departure</em></p>
<p><em>of adopted children</em></p>
<p><em>who are grown and learn,</em></p>
<p><em>dear stranger,</em></p>
<p><em>of their natural parents,</em></p>
<p><em>some must stay on;</em></p>
<p><em>and some must return;</em></p>
<p><em>and some must move on</em></p>
<p><em>and so I did.</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><em><br />
</em></p>
<p><strong>Comfort</strong></p>
<p>There is comfort in being known, comfort in fame;</p>
<p>there&#8217;s comfort in acceptance, in praise</p>
<p>even while we seem not to hear, seem to be focused,</p>
<p>and there&#8217;s comfort in work;</p>
<p>there&#8217;s comfort in charity, comfort in doing good,</p>
<p>there&#8217;s comfort in our obsessions and perversions</p>
<p>and there&#8217;s comfort in what we find ourselves in.</p>
<p>But the joy in the unsullied state is only</p>
<p>in the meditation of the true and beautiful:</p>
<p><em>Om</em><em> Nama Sivayah.</em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p><em> </em></p>
<p>Now that I am gone</p>
<p>when I was there you did wonder</p>
<p>what a fool I was; you remarked</p>
<p>how naive and impractical I showed</p>
<p>myself in my ways. You looked kindly</p>
<p>down on me and my unrealistic views</p>
<p>and unworkable theories.</p>
<p>When you sit back in your chair</p>
<p>and your probing mind does settle a flickering moment on me</p>
<p>I wonder what you think of me now.</p>
<p>The stranger&#8217;s life</p>
<p>as quiet as the growth</p>
<p>of the creeper over the fence</p>
<p>goes on my life;</p>
<p>perhaps as stealthily too;</p>
<p>and just as unnoticed.</p>
<p>As unobtrusive as a whiff of cloud</p>
<p>that is blown over, and hides behind a</p>
<p>defined and heavy cloud</p>
<p>and then appears again amongst</p>
<p>a whole host of its kind.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Wonder about this stranger</strong></p>
<p>Sometimes, though, some wonder</p>
<p>about the quiet stranger</p>
<p>as I walk past the cold aisles</p>
<p>unimpressed by the superstore wares</p>
<p>or as I walk on the sandy track</p>
<p>below the tall white gums.</p>
<p>Perhaps they wonder a moment</p>
<p>at this stranger come from his own distant place</p>
<p>and walking quietly in their midst.</p>
<p>Wash me of this filth</p>
<p>Wash me of this filth</p>
<p>and keep me clean;</p>
<p>living and desire are heavy burdens</p>
<p>and they wear down the mind</p>
<p>so that a tired mind craves the unpleasant</p>
<p>and drags being into the mires and</p>
<p>unclean grounds.</p>
<h1>The unconnected</h1>
<p>To whom shall the unconnected man</p>
<p>turn in a world disconnected and each turned in?</p>
<p>To whom shall the meek, the humble,</p>
<p>the quiet and unaccusing turn?</p>
<h1></h1>
<p>&nbsp;</p>
<p><strong>Rejection</strong></p>
<p>One by one</p>
<p>my friends appeared before me</p>
<p>in inner space</p>
<p>as I lay down to sleep</p>
<p>and each one I denied:</p>
<p><em>I know you not,</em> I said to each.</p>
<p>And each one denied me too.</p>
<p>&nbsp;</p>
<p><strong><br />
</strong></p>
<p><strong>Two children</strong></p>
<p>A child thumbed</p>
<p>a spider dead</p>
<p>and said:</p>
<p><em>No problem;</em></p>
<p>and a child beside him</p>
<p>sat moved.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>He&#8217;s gone, he&#8217;s not here any more</strong></p>
<p>He&#8217;s gone, he&#8217;s not here any more; no, he doesn&#8217;t</p>
<p>live here any more; he&#8217;s left.</p>
<p>Yes, you can send him a letter, send him a note</p>
<p>send him another standard institutional card or mail,</p>
<p>send him</p>
<p>Printed Material Only,</p>
<p>but the mail will not reach him</p>
<p>because he&#8217;s gone; he&#8217;s not here any more.</p>
<p>No, he didn&#8217;t leave a forwarding address; no,</p>
<p>he didn&#8217;t think anyone would want to contact him</p>
<p>or that anyone would want to go beyond one attempt.</p>
<p>I believe he&#8217;s left the country.</p>
<p><em>Yes, they&#8217;ll send me a note</em>,</p>
<p>he thought,</p>
<p><em>being on</em></p>
<p><em>the database of several mailing lists, his name in</em></p>
<p><em>someone&#8217;s eyes or finger tips once a year </em></p>
<p><em>someone told to do this, take the list and </em></p>
<p><em>mail a note or a greeting card to everyone on the list </em></p>
<p><em>they&#8217;ll send me a card, but no one will </em></p>
<p><em>need to follow up, to trace the person to</em></p>
<p><em>present address.</em></p>
<p>So he must have thought, so he&#8217;s packed up and gone;</p>
<p>silent as the still air,</p>
<p>silent as soup waiting to be taken.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>Attempting to cross the road</strong></p>
<p>Two hundred metres off the Mt Coo-Tha roundabout</p>
<p>I stood on the kerb to cross the road</p>
<p>and ended up watching you &#8211; watching us -</p>
<p>as you came on in a merciless</p>
<p>procession in three lanes.</p>
<p>There were nice new cars; polished new cars</p>
<p>in which were encaged tense and</p>
<p>other-worldly self-absorbed faces.</p>
<p>Aggressive  faces.</p>
<p>You were not the mates I knew in the streets.</p>
<p>I waited twenty minutes and crept away</p>
<p>weakened by your determination.</p>
<p>&nbsp;</p>
<p><strong>Routine<br />
</strong></p>
<h1></h1>
<p>This is my bed I creep into</p>
<p>defeated by this day. The brain ridden</p>
<p>with many folds turns heavy and wonders:</p>
<p>And is this the way it shall be, the routine</p>
<p>set for the rest of my days into an animal decline?</p>
<p>With a body imprisoned by trips in a car</p>
<p>and limbs rushed from one manhour to another?</p>
<p>and myself seized by the throat</p>
<p>with unyielding and angry alien faces</p>
<p>pressed into mine and sucking me dry?</p>
<p>Is this how it shall be with me?</p>
<p>Returning to a place of rest to stare into vacant air</p>
<p>till the hour I creep into bed after an evening</p>
<p>in the lounge, feeling heavy and perfecting the tummy circle.</p>
<p>Will this go on and on,</p>
<p>everything of me bound and imprisoned, wearied and numbed</p>
<p>and creeping into bed yet again&#8230;</p>
<p>This is my bed I creep into,</p>
<p>defeated by this day&#8230;</p>
<p><strong>When I am gainfully unemployed</strong></p>
<p>When I am gainfully unemployed</p>
<p>when I am the king</p>
<p>and thus gainfully unemployed</p>
<p>I shall declare a day off from work</p>
<p>for every employed man and woman;</p>
<p>it shall not be a holiday</p>
<p>or a  day of celebration;</p>
<p>but they shall be gathered in the public square</p>
<p>and half the day</p>
<p>these shall spend the time</p>
<p>on their knees</p>
<p>in gratitude for being employed;</p>
<p>and the other half,</p>
<p>they shall spend in the dungeons</p>
<p>for the year&#8217;s thoughtlessness</p>
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		<title>Rage of the unemployed</title>
		<link>http://migrantpoems.wordpress.com/2009/11/04/14/</link>
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		<pubDate>Wed, 04 Nov 2009 02:12:07 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[movement of peoples]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[migrant]]></category>
		<category><![CDATA[poems]]></category>
		<category><![CDATA[unemployment]]></category>

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		<description><![CDATA[Rage therefore, ye unemployed;
let not rage die in your hearts
for the unemployed without rage and fire
are blown out like oil lamps
beside the open window.
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			<content:encoded><![CDATA[<p><strong><br />
Quiet man drained</strong></p>
<p>It is two a.m. and I wake to the cold<br />
and the silence and the anonymous darkness.<br />
The mind<br />
I am not the thinker<br />
moves from in between states to full awareness<br />
and it grips at my pits so. What is this feeling?<br />
What is this pain and emptiness? It churns the entrails<br />
and takes waves to hit hard against the cave of the head<br />
and the creature living inside has to take all the pain.<br />
Full awareness. Panic.<br />
The street lights invade between the curtain sheets<br />
and stretch their long orange fingers on the wall.<br />
They find nothing. The sliver<br />
in the sky is cold.<br />
Full awareness. Panic.<br />
Man in Panic&#8230;<br />
Not Man Asleep&#8230; Not Man Dreaming&#8230; But Man in Panic&#8230;<br />
Oh, for some pebbles in the mouth&#8230;some hard thing<br />
in the hands to grip; some straw even, something to clutch at<br />
or perhaps, dare one say?  some hope&#8230; It is two a.m.<br />
and I wake to the cold.<br />
She is sleeping in bed and the two children in theirs.<br />
I survey the enclosed rooms, the locked-in home,<br />
sit in the dark hall,<br />
harass a stray ant in the kitchen and sit in the hall&#8230;<br />
There is little hint of an outside world but<br />
of an invisible pushing away&#8230;<br />
What time is it now?<br />
Is it the sun that rises yonder?<br />
Of my philosophy I make no use to quiet the mind;<br />
I lie down again.<br />
No, not man in panic.<br />
Mot man asleep. Not man Dreaming. Not Man in Panic.<br />
Not Man Dreaming.<br />
Man Quiet. Man Drained.</p>
<p><strong>The true owners</strong></p>
<p>Who owns this vast surprising space?<br />
Who is the owner of this land?<br />
Is it me? Or is it you?<br />
Or is it them?<br />
Who owns this continent?<br />
Who owns whom here<br />
and who drives whom?<br />
Who determined what happened before?<br />
Who determines what happens next?<br />
Who owns whom? Who owns what?<br />
Who owns the Ross Sea and the Bellingshausen Sea?<br />
and the seas and oceans between the lands and atolls?<br />
Whose are the fishes and the air and the creatures in the<br />
air, the oceans and on the trees and on the ground and<br />
under the ground? Who owns the spirits of the desert<br />
and the trees and the lakes and the mountains<br />
and the burning bushes?<br />
Who owns the children and the poor and the defenseless<br />
and the workers and the helpers?<br />
Who owns the Taj Mahal and the Buddha and Christ<br />
and the Kaaba and the Sphinx<br />
and the island statues looking out to the sea?</p>
<p>Who owns decency and justice and honor?<br />
(Who has decency and justice and honor?)<br />
And who the works and the poems and the ideas?<br />
Who owns this world? Who owns all this space?<br />
Is it me? Is it you?<br />
Or is it them?</p>
<p>Really?<br />
Or are the ants or the rats<br />
(or perhaps other yet uncategorized patient creatures)<br />
the true owners and inheritors<br />
and we but the False Pretenders<br />
as Smiling Time sees us out?</p>
<p><strong>I depress you, don&#8217;t I?</strong></p>
<p>I depress you, don&#8217;t I?<br />
You are so bubbly, cheerful, smooth with your words,<br />
you make conversation always as easily<br />
as a well-oiled engine hums;<br />
open-mouthed; sparkle-eyed;<br />
exuberant with a pinch of irritation<br />
in your confidence with sing-song words and links.<br />
In person and on the phone,<br />
you roll your head, use your hands expressively; you laugh,<br />
you say things that are right and clever, and you are certain.<br />
You know all the concepts and<br />
the appropriate terms and words:<br />
each word that triggers smiles and each that is the right word and  which you dim with ; it’s easy; and<br />
you have lay-bys<br />
and fly-buys and I can get cash as I pay;<br />
and<br />
casual<br />
is the antonym of<br />
permanent<br />
while I fumble with<br />
temporary<br />
and my tone.<br />
You know your way; you are comfortable.</p>
<p>But I&#8230; I depress you, don&#8217;t I?<br />
Hesitant, tentative, slow and uncertain&#8230;.<br />
Apologizing for things I say, for as soon as<br />
I&#8217;ve said them I wonder<br />
because you don&#8217;t respond<br />
if I&#8217;ve said the wrong thing;<br />
unsure of form and conventions,<br />
asking for clarifications<br />
about what seem to you to be<br />
the most obvious things&#8230;and withdrawing<br />
like a would-be lover who dares not commit himself&#8230;<br />
Oh ye happy cherubim<br />
of a white and brightly-lit Heaven,<br />
I do depress you don&#8217;t I?</p>
<p><strong>Communication</strong></p>
<p>There is no feeling, there is no bond<br />
there is no touch, there is no smoothness<br />
there is no sincerity, no frankness<br />
there is no connection in these continual communications.<br />
Just efficient words and professional politeness.<br />
(And what did you expect? A hug and a cuddle?<br />
No one owes you a living.)<br />
All that void is filled in with dead forms<br />
and photocopies certified by JPs<br />
(one seeks out these authorities at the chemist&#8217;s<br />
and at real estate agencies)<br />
and essays meeting or not meeting identified criteria.<br />
This is unreal the game we play.</p>
<p>The rules are changed this year.<br />
This other world I meet often<br />
through various mediums<br />
but not in real time, real space:<br />
the urn-box space for in-coming letters,<br />
its lid at the back hiding spiders;<br />
the post office and punctilious and efficient postmen<br />
and phone calls and receptionists and secretaries<br />
and productive people who say<br />
I may be able to help;<br />
and the well-spaced neatly-arranged classifieds<br />
the black and white origins of all our<br />
unconsummated affairs</p>
<p>there is a secret code<br />
something hidden beyond what is offered<br />
that I cannot break</p>
<p><strong>Two worlds</strong></p>
<p>See me in my confines;<br />
see me in my space</p>
<p>(i)<br />
See this little beige-walled<br />
and white-ceilinged<br />
world of this unit<br />
in Holland Street, Toowong.  See me here in bed,<br />
confined like a patient drugged and sedated.<br />
This little unit with its<br />
dirty orange carpet and the unseen mites teeming<br />
and green-curtained sliding doors<br />
to a balcony closed in with metal vertical blinds.<br />
See me here sitting in my rented grey sofa, before<br />
the walls lined with brown cabinet doors and<br />
behind a narrow room that is the toilet<br />
with cistern, brush, pipe and green-fern papered walls,<br />
that close the space on either sides<br />
of the constipated man seated atop his bowl.<br />
Outside this is a world. A wide world.</p>
<p>(ii)</p>
<p>There is a busy road out there<br />
connecting to busier roads<br />
and the postman cometh on weekdays and<br />
the ice-cream man rideth on Saturdays.<br />
The garbage man on Friday mornings, so forget not<br />
to push your garbage bin<br />
on to the pavement on Thursday evenings.<br />
(What the postman bringeth the garbage man taketh;<br />
the receiver therefore collecteth and transfereth).<br />
There are traffic lights, a petrol station,<br />
countless units on hills and slopes<br />
and in legacy environment<br />
and then a coffee club, and the news vendor<br />
and the rail and the cashiers with a happy look<br />
and a quick and efficient<br />
How are you today?<br />
dispensing pleasantries as quickly as they rid<br />
the queue of one more customer.<br />
And then officers and co-ordinators<br />
far and wide  from whose invisible and<br />
sanctified confines<br />
emerge papers and notifications<br />
offering a feast of nomenclature<br />
and whose silences coerce you to join in the game<br />
of correspondence with bureaucracy.</p>
<p>(iii)<br />
There are two worlds,<br />
the world of the unit and the wide outside world,<br />
and between the two a tenuous connection.<br />
An anti-transactional link<br />
that maintains a language and distribution system<br />
that ensures the two worlds don&#8217;t meet.<br />
A discourse that excludes the other.</p>
<p><strong>The perfection of anonymity</strong></p>
<p>Even in the place where some knew my name<br />
I walked unknown though, occasionally, some would mutter,<br />
some would mouth a whisper:<br />
That&#8217;s him<br />
and point in the direction.<br />
Here, however, is the perfection of anonymity<br />
for I<br />
not only go without an identity,<br />
I go too without a name.<br />
Here, however, as<br />
I slip through department stores and streets<br />
and get off trains and walk into stations<br />
like a shadow<br />
as one more in the crowd<br />
is the perfection of my anonymity for I not only<br />
go without an identity, I go too without a name.</p>
<p><strong>They the forces, the furies we rage against</strong></p>
<p>They are the forces, the furies we rage against<br />
and whom we make glad if we go quietly into oblivion<br />
they, the forces, have enclosed us in little bodies<br />
and left us exiled on a vast continent.<br />
Soiled and muddied and with wax in our ears, dirt of sin<br />
between the toes and in the cracks of the skin in our heels<br />
soft dirt in the foreskin;<br />
and our function, dear souls, dear soul,<br />
is to rage and to rage unabated.<br />
It shall put strain on our bodies<br />
yet we shall rage<br />
and it will pull the skin in<br />
and muscles and tissues and testicles<br />
and yet we shall rage;<br />
it will tire the mind and sink the eyes and cheeks<br />
and pinch the veins and crack our bones<br />
and yet, dear souls, dear soul,<br />
we shall rage, we shall rage and rage.<br />
For we are not done with them.</p>
<p><strong>The plants and trees </strong></p>
<p>These plants and trees I know;<br />
these creatures I love</p>
<p>(i)<br />
Outside the insect screen of the laced<br />
kitchen<br />
there stands the green billow of leaves<br />
peppered with crimson of flowers.<br />
Anytime you wash your hands at the sink<br />
and if you happen to lift your head a little<br />
there at the junction of Holland and Cove streets<br />
stands the comforting rich flame of the forest.</p>
<p>Now it is April<br />
and its flowers are gone;<br />
and huge dry pods hang<br />
like black tongues of witches;<br />
but still, to add some cheer,<br />
its rich green<br />
swells like the cheeks of an impish child<br />
blowing at heaven</p>
<p>(ii)<br />
Each shut in and enclosed within,<br />
we walked in the heat<br />
that clawed at our arms<br />
and nibbled at our faces like hungry rats.<br />
At the pavement at the junction<br />
where Holland Street disputes with Sherwood<br />
there stood this serene and accomplished tree<br />
and we halted below it<br />
as if an order had been issued,<br />
each remarking spontaneously on the<br />
comforts of Sherwood&#8217;s flame of the forest</p>
<p>iii)<br />
A tangle of sunflowers shouts at us<br />
as we walk down the street;<br />
unobserved these many days<br />
not remarked on these many weeks,<br />
it has grown angry and full<br />
and swells and pouts like Van Gogh in a rage</p>
<p>iv)<br />
The overgrown overfriendly bottlebrush tree<br />
unabashedly and tirelessly pummels the mesh screen<br />
at the kitchen window<br />
Hello! Hello!<br />
he seems to say,<br />
brushing, pounding at the screen with his gentle fists.</p>
<p>Hello! Hello! Hello! Hello!<br />
I&#8217;m used to this brush fellow<br />
for he used to surprise me<br />
at the oddest corners in my previous place.<br />
A guide book I carried to trace his ancestry with<br />
said:<br />
The bottlebrush is a native of Australia.<br />
Here I am now and it&#8217;s good to have known<br />
a native even before I arrived.</p>
<p>Oh, I&#8217;ve had more than a brush with this fellow.</p>
<p>A new week</p>
<p>a new week begins<br />
and the end should be Easter;<br />
instead, it may end bitter<br />
after five days of hope<br />
anticipation and deception<br />
and disappointment</p>
<p>with futile palming of the cold interior<br />
of the mail box and waiting hopelessly<br />
for the phone call that will cause a start<br />
but end in an unrelated whimper</p>
<p><strong>They talk about him </strong></p>
<p>Far away, beyond the continent<br />
and the archipelago,<br />
in a tiny island<br />
someone asks, perhaps,<br />
Does anyone know what&#8217;s happened to him?<br />
Perhaps this is asked at a coffee-shop;<br />
at a hawker&#8217;s centre or in a meeting room;<br />
perhaps over the phone or during a chance meeting:<br />
Does anyone know what&#8217;s happened to him?<br />
Perhaps someone whispers this question<br />
at a temple gathering<br />
or during a moment of silence<br />
at some point during a lecture</p>
<p>The soft replies come:</p>
<p>He&#8217;s gone.</p>
<p>Gone.</p>
<p>They say he&#8217;s gone overseas.</p>
<p>Oh,<br />
comes the slow response.<br />
I see.<br />
Yes, it&#8217;s been some time now<br />
since I last saw him&#8230;but&#8230;<br />
There is a nod; perhaps, several nods;<br />
there is no emotion; no pursuit of the subject,<br />
no query for details<br />
for people come and go,<br />
as they say; and, moreover, he was exactly like that.<br />
Emotionless; and not asking for details.<br />
Unknown. Unknowing.</p>
<p>What&#8217;s happened to him?<br />
Gone; he&#8217;s gone.<br />
It&#8217;s mouthed in a<br />
low voice;<br />
like talking about the dead.</p>
<p>Far away here, I,<br />
the him, sit writing this.<br />
The him they might sometimes talk about.<br />
Before it is all gone without a trace.</p>
<p><strong>The fight</strong></p>
<p>The migrant&#8217;s son fights with his sis,<br />
shouts at his mum and defies his dad.<br />
The migrant&#8217;s son rolls on the carpet<br />
and somersaults over the sofa&#8230;</p>
<p>I know why you do this,<br />
son, I know why you do this;<br />
but be patient awhile, be patient,<br />
for it takes time<br />
to have each one&#8217;s space and life&#8230;</p>
<p><strong>Acceptance</strong></p>
<p>Perhaps what I am is false to you<br />
and you have no faith in what seems;<br />
or perhaps you see what I seem to be<br />
and wonder if this is what could be;<br />
and what should be; or even perhaps<br />
what seems and what is do not meet to be;<br />
or perhaps on either side simply<br />
what seems is not what is, and what is<br />
does not seem to be.<br />
So you deny me.</p>
<p><strong>Replies</strong></p>
<p>There are more letters from the petty<br />
entrenched bureaucrats<br />
and their underlings the salariat;<br />
tireless, merciless, and meaningless.<br />
There is no correspondence to your last letter<br />
but a standard spewing of hackneyed turns and jargon,<br />
standard phrases, codes and words meant not to communicate;<br />
a quick reply laden<br />
with stock phrases</p>
<p>pinched from a data base of 10001 standard replies for 10001 categories</p>
<p>With big words they think will make you little;<br />
intense phrases they think will make you feel useless;<br />
debonair prattle that betrays their intentions<br />
practised clauses reeking of their caution;<br />
and reader-proofed windows because there&#8217;s been no progress</p>
<p>There are more rhetoric-crafted replies<br />
from the protective bureaucrats<br />
with their feet and heads in filing cabinets<br />
and their buttocks in their hands.<br />
They have received all documents;<br />
they&#8217;re immensely thrilled all forms are accurately completed.<br />
They are pleased you meet the criteria;<br />
you are now in their system -<br />
they&#8217;ve put you in a category, on a scale;<br />
you got a code number and a reference point -<br />
you&#8217;ve got everything except a fucking job.<br />
Go fuck yourself,<br />
they whisper into the cabinets.</p>
<p><strong>Inclusion</strong></p>
<p>Why don&#8217;t you talk to me and tell me off,<br />
straight to my face? Tell me I&#8217;m not good enough<br />
for you. Tell me my credentials don&#8217;t configure<br />
with your system; you don&#8217;t know what to do with me.<br />
But you can&#8217;t tell me that, can you?<br />
(You can&#8217;t tell me anything<br />
but read me sections and clauses of the manual.)</p>
<p>Who is to say the word?<br />
For like all ugly systems<br />
yours too is inclusive<br />
and so the possibilities are left open<br />
and so inclusion becomes exclusion<br />
and the possibility becomes the impossibility.<br />
You just hold out hope<br />
and though you do not deceive,<br />
you effect deception.</p>
<p>And who is to say the word?<br />
There is certification and registration<br />
and there is rank and order<br />
of inclusion and possibility.<br />
There is the system.<br />
And there is exclusion.</p>
<p><strong>Selling yourself</strong></p>
<p>It&#8217;s called selling yourself,<br />
she says<br />
to me, offering unsolicited advice. She&#8217;s been here ten years<br />
and I&#8217;m but a new migrant and worse, she thinks,<br />
a quiet and unassuming one at that.</p>
<p>It&#8217;s called selling yourself,<br />
she says.<br />
You got to be aggressive and assertive;<br />
You got to be pushy.<br />
Sell yourself.<br />
I look at her<br />
as she turns to her neighbour:<br />
I see<br />
she deals with cliches<br />
and bankrupt phrases<br />
and she herself stands<br />
like an overused fourth exclamation mark.</p>
<p>Go to the alley, you bitch,<br />
and sell yourself.</p>
<p>Pardon my ignorance</p>
<p>O how ignorantly<br />
how innocently<br />
I have fallen,<br />
tripped over a wire<br />
and set off a mine.<br />
O how could you not have said<br />
careful there&#8230;tread gently&#8230;<br />
Place your foot here&#8230;<br />
Is this how,<br />
you cold uncaring entrenched bureaucrats,<br />
is this how<br />
you treat a stranger?</p>
<p><strong>The creature</strong></p>
<p>After the taunting<br />
the creature is beaten deep into the cave where<br />
it is dark and the stalactites do not shine;<br />
there are the sounds of water<br />
hitting the rocks below and there are the echoes<br />
and the hard breathing of the creature itself<br />
filled layer upon layer<br />
upon itself.</p>
<p>Its scaled eyelids are closed;<br />
the creature is withdrawn into itself.<br />
It breathes gently now and its chest rises and falls on<br />
the countless folds of its body and mind.<br />
It is withdrawn within itself. There is hurt;<br />
there is resentment; there is heaviness<br />
that fills all its days and nights.</p>
<p><strong>The polite</strong></p>
<p>The polite are efficient;<br />
the polite are cruel<br />
with their cold and distant manner<br />
smooth non-committal words<br />
and safe generalizations<br />
and ambiguous as the words of Delphos,<br />
and Janus-faced,<br />
they keep their clients ignorant<br />
with a restrained smile and fine words<br />
in measured tones<br />
they hold the listener at arm’s length desperation.<br />
A fine strategy this politeness<br />
to deprive, to isolate, to put away and marginalize.</p>
<p><strong>Depression</strong></p>
<p>I called my friend<br />
and<br />
after many calls between which we maintained<br />
long silences,<br />
after many polite turn-downs and diversions<br />
he said,<br />
Come over.<br />
It was a sad dog and wizened master<br />
with half a smile each<br />
who welcomed me.<br />
The dog was seated on a couch in the verandah;<br />
the master sat within and called out for me to come in.<br />
Sit,<br />
he said, pointing to a chair against the wall.<br />
And I sat obediently.</p>
<p>He listened to my consonants, or seemed to<br />
listen and then mouthed words unrelated to one another and mine.<br />
We both fell silent.<br />
Then he told me news<br />
about his home<br />
that was true thirty years ago<br />
and still, for him, holds true.</p>
<p>What can I do?<br />
he sighed.<br />
He looked at the trees on the other side<br />
of the road and I looked at the bushes.<br />
I&#8217;m not sure what the lethargic dog<br />
looked at.</p>
<p>I do not need this,<br />
I thought.<br />
Then I said it was time for me to go.</p>
<p>Keep in touch,<br />
I said.<br />
He said he would get in touch with me.<br />
I had put the ball in his court;<br />
and he seemed glad of that<br />
for he could now keep it there.<br />
Or puncture it.<br />
We were both glad.<br />
I left.<br />
He never called. We are both glad.<br />
We understand each other.</p>
<p>Him again</p>
<p>Have you heard from him?<br />
someone asks, as they sit round the table.<br />
They shake their heads and one of them<br />
says softly,<br />
No&#8230;<br />
You were quite close to him,<br />
some other throws in an accusation.<br />
Too busy to write; probably the same with him.</p>
<p>Cheerful fellow, wasn&#8217;t he?<br />
the other continues.<br />
He would be here at the canteen and he would always<br />
offer me some before he took his drink. Always had a smile<br />
and a kind word or two.<br />
I wonder what&#8217;s become of him&#8230;<br />
He must be fine,<br />
somebody attempts to say.</p>
<p>Probably found a new life;<br />
he&#8217;s forgotten us, busy in his new place&#8230;</p>
<p><strong>Change</strong></p>
<p>My wardrobe hasn&#8217;t grown,<br />
nothing added to, nothing acquired since<br />
but the trousers are frayed at the hem<br />
and the sides of the pockets<br />
and the shirt collars are faded<br />
and are worn, more creased than ironed.<br />
They have been through streets and iron doors<br />
and they have touched<br />
bare floors and grounds and bivouacs.<br />
The shoes are overused and dusty<br />
with scratches on the sides<br />
and the mangled shoelace<br />
and loose eyes cower behind the salacious hems.<br />
One grows careless of one&#8217;s appearance<br />
and allows the navel to look out<br />
unhindered by a missing button;<br />
there&#8217;s no need to maintain one&#8217;s decorum<br />
except to approximate  decency.</p>
<p>Perhaps, after all,<br />
there&#8217;s a consolation in this unemployment.<br />
There&#8217;s no need for power dressing,<br />
no need for effects,<br />
and deceptions and dressing for a purpose,<br />
no need to make an appearance<br />
to aim at effect.<br />
One walks through corridors liberated,<br />
careless and unmindful of the powerful.</p>
<p><strong>Migrant children</strong></p>
<p>Children will weather it out<br />
in the sun or rain;<br />
they will still smile<br />
in the harsh sun or heavy rain.<br />
Kids will find some play<br />
to delight them;<br />
kids will find some play<br />
to make you smile;<br />
they will laugh and love<br />
helped by their free imaginings.</p>
<p><strong>Cawing crows are constant company</strong></p>
<p>Caw, Caw, Caw, Caw,<br />
they go.<br />
Waking us up to a new dawn:<br />
Caw, Caw, Caw, Caw<br />
- they go<br />
from early morning to late noon.<br />
Sitting on wires over the kerbs<br />
like a gathering of surly beggars,<br />
crowing crows are constant company.<br />
What their caws presage though are a mystery.</p>
<p><strong>The perils of summer</strong></p>
<p>The newspapers and our<br />
ubiquitous and ever-ready<br />
self-appointed well-meaning<br />
advisors warn us.<br />
Summer is the time when spiders are most active;<br />
snakes are about their smooth crawls<br />
and bees on their monotonous drone<br />
but the worst, I think, are the magpies<br />
for magpies can attack, do be careful.<br />
One may be roosting on a tree and if you walk below<br />
it thinks you are a threat<br />
and so provoked (though you do not intend it)<br />
it swoops down on you and attacks.<br />
It happened to me once,<br />
my friend advises and warns me,<br />
as  I was walking down St Lucia; something<br />
just descended on me and was off -<br />
it all happened within the time one can say<br />
Jack Robinson<br />
leaving with me with a split bleeding lip.<br />
Wearing a hat or headgear of some sort<br />
seems to keep them away.<br />
Much safer, I suppose, not to walk<br />
below a tree in summer.<br />
Stay indoors in summer.</p>
<p><strong>Autumn&#8217;s here</strong></p>
<p>The heat&#8217;s down from 34 C to below 30 C<br />
and my daughter declares:<br />
It&#8217;s autumn.<br />
A day of dark clouds and cool air<br />
spoils us and my son declares:<br />
It&#8217;s autumn.<br />
Are you sure?<br />
I ask and they mock me.<br />
Their friends told them it&#8217;s autumn<br />
and we unemployed migrant adults<br />
should listen to the children<br />
for their friends have lived here<br />
all the ten or thirteen years of their lives<br />
and who are we unemployable migrant adults to question<br />
the wisdom of the local children?<br />
And, by the way, winter&#8217;s round the corner.<br />
OK, children of Australia,<br />
we say,<br />
it&#8217;s autumn if you say so.</p>
<p><strong>More advice from bodhisattvas</strong></p>
<p>There&#8217;s more advice again from kindly souls<br />
who are out to ensure we go about properly in seeking a job:<br />
You&#8217;ve got to be pushy in this country;<br />
otherwise they&#8217;ll think you&#8217;re slack.<br />
You got to go to their doors, go and see<br />
people and the authorities personally;<br />
correspondence is not enough.<br />
And so on goes this homily on being pushy,<br />
this invitation to aggression and being assertive<br />
a Saturday evening lecture, the 107th<br />
Sunday morning sermon<br />
(in keeping with the dictum:<br />
The quiet shall be picked on; the gentle shall be pushed)<br />
the privileged employed mount on the unemployed<br />
the city-damned insolence-drenched pour on innocents.</p>
<p><strong>Home sweet home</strong></p>
<p>Here too home is not a simple thing.<br />
You must be mindful of location:<br />
if your home is at a cul-de-sac,<br />
and diverse things as where the sun rises,<br />
if there is foliage and how far it is to the highway<br />
and what about accessibility to a host of facilities;<br />
and is the estate near a cement factory?<br />
Then there are things like negative gearing and<br />
rising interest rates; body corporate fees and council rates;<br />
inspectors and valuers you can count on<br />
and you must be mindful too of resale value.<br />
O no, the modern home all over the world<br />
is not a simple thing to live in;<br />
you could die in it.</p>
<p><strong>Inertia</strong></p>
<p>Inertia is a beast that<br />
seizes you by the stomach<br />
and keeps you slouched in your couch;<br />
it twists your stomach and your limbs go wobbly<br />
and then its hold strangles the brain<br />
you stand on your toes<br />
helpless like a child<br />
with its muscles in an adult&#8217;s grasp<br />
and you sink into a stupor<br />
when time passes slowly,<br />
but time is gone</p>
<p>and the time is gone<br />
as surely as milk goes sour</p>
<p><strong>How are you?</strong></p>
<p>Kelly at Coles draws the items on the belt<br />
towards her and says,<br />
How you doing?<br />
The local man before her nods and the<br />
transaction is done.<br />
Why does he not reply?<br />
Does he see it as a charade?<br />
Does he see some truth the newcomer cannot see?<br />
It&#8217;s my turn.<br />
Kelly at Coles draws the things on the belt<br />
towards her and says,<br />
How you doing?<br />
The new man &#8211; that&#8217;s me, smiles and says,<br />
Good. Thanks.<br />
(But Kelly is already scanning<br />
and punching her keys.)<br />
The newcomer feels strange. Perhaps he should<br />
have nodded, look a little more natural and aloof&#8230;<br />
Perhaps the next time the newcomer will&#8230;</p>
<p><strong>The universal condition</strong></p>
<p>There is always an art practiced<br />
in all countries, all cultures,<br />
when one speaks well<br />
by not speaking the truth<br />
yet it consists not of lies;<br />
the transactions are done easily<br />
with smiles<br />
and things are understood and misunderstood<br />
by the one who hears and<br />
the one who speaks.<br />
The visible are unseen<br />
and the unseen are seen.<br />
Everywhere it matters not if you<br />
are a stranger or one of the locals,<br />
but those who never mastered this<br />
are left out of the herd.</p>
<p><strong>Files and records</strong></p>
<p>The unemployed, though without a job<br />
and all the work associated with files and records<br />
in computers or in rows and rows of dusty shelves in an office,<br />
the unemployed too have<br />
files and records to peruse and maintain. I, for example,<br />
have various files: all the correspondence<br />
I have with the State Department and its various<br />
Regional Offices and its terminal points;<br />
the correspondence with private organizations<br />
and associations and unions&#8230;<br />
See these?<br />
These are notifications of changes and amendments<br />
to the system; letters from the networks and<br />
requests for a certified copy of a particular paper<br />
that they do not have in their files or seem to<br />
have misplaced.<br />
(Oh, it could very well have been<br />
misplaced by the previous person in charge&#8230;<br />
And could you fill in this form?<br />
Your previous return could<br />
have been lost in the mail&#8230;)<br />
The unemployed too have deadlines<br />
with their minds employed in making sense<br />
of a world of opportunities<br />
and in the mind and in physical space<br />
making order of the replies<br />
and responses the inviting and tolerant world<br />
gladly makes and promptly<br />
to all enquiries. There are letters from private<br />
and government establishments all represented by letterheads<br />
with bold cries of departmental mottos of<br />
progress, efficiency and equal opportunity and fairness.</p>
<p>(Are you a member of an underprivileged group? -<br />
and yet, implied in others and presumably without prejudice -<br />
Are you a member of our religious group?)</p>
<p>And after order, there is, in my case,<br />
literary textual analysis: What do they mean by<br />
The position drew candidates of a high caliber;<br />
We urge you to apply to our future advertisements?</p>
<p><strong>A walk down Slaughter Falls</strong></p>
<p>It was the day we had planned for -<br />
a picnic on Mt Coot-tha and a walk down<br />
Slaughter Falls to view the reported aboriginal paintings<br />
and the presumed water fall.<br />
Four p.m. we had agreed to. A quarter to,<br />
the sky threatened and we consoled ourselves<br />
the rain would come and go. And we would<br />
still ascend the mount and view the falls.</p>
<p>The rain only got heavier and we became<br />
absorbed in its ferocity<br />
and its bunting and the patterns of falling water.<br />
A can of cigarette butts<br />
flew down from the balcony above us<br />
and the rain lashed at our metal vertical blinds.<br />
Then fell the hail. Little ice pieces<br />
falling down the driveway and gathering at the edges.<br />
Hurry! Over here! This is hail!<br />
I cried out<br />
and we all gathered to watch the hail<br />
pelting the ground below&#8230; It was<br />
the first time my family had seen hail.</p>
<p>The rain ceased and the light<br />
brightened the trees and the sky<br />
and in the darker right a rainbow hung<br />
above Toowong Village;<br />
my son and I walked out to the slope<br />
and viewed the rainbow&#8230;<br />
And then<br />
a Korean woman followed  discreetly with her son&#8230;</p>
<p>Soon Slaughter Falls and Mt Coot-tha were forgotten<br />
as the rain, the hail<br />
and the rainbow<br />
had been sights enough for the day.</p>
<p><strong>The migrant as the weatherman</strong></p>
<p>The weatherman on TV is an isolated figure;<br />
he walks alone and deals monologues.<br />
Though he smiles and is pleasant and is informative<br />
he is delivering a lecture and talks one way.<br />
The pair of hosts in the chat show everyday<br />
engage in dialogue; they laugh, talk and chat<br />
and they are in conversation, in an interaction<br />
that is realistic and reminiscent of reality and the mainstream.<br />
The weatherman is alone; he&#8217;s in an artificial engagement<br />
in spite of all gimmicks and smiles,<br />
exhibitions and casual asides and pointers.</p>
<p>The migrant is like the unconnected weatherman&#8230;</p>
<p><strong>Collecting letters</strong></p>
<p>We collect rejection slips<br />
we full-time unpaid letter-writers<br />
applying for one job after another<br />
state-wide in parts that are desert or fertile<br />
in the country and city<br />
and collect in our files<br />
with the care of bent monks in an ancient order<br />
illuminating rejection letters<br />
each an experience of satori<br />
placing each carefully into pockets<br />
in document files<br />
spurring us into writing more applications<br />
to keep the industry booming<br />
The fucking employed live off the backs<br />
of the unemployed<br />
and isn&#8217;t it strange that each one<br />
wishes us well in our future endeavors<br />
and pays all candidates the dubious compliment<br />
of high standards?<br />
It seems<br />
rejection slips are easy to come by<br />
and jobs impossible&#8230;<br />
We must crawl into our skins<br />
we  poor applicants<br />
(Oh, you can call and<br />
find out why your advances<br />
were rejected)<br />
and read each rejection letter thrice over.<br />
The fucking employed live off the backs<br />
of the unemployed.</p>
<p><strong>The Clown</strong></p>
<p>The orange clown in the city<br />
his arms akimbo, laughs.<br />
Who&#8217;s the fool? Who&#8217;s the jerk?<br />
Who&#8217;s the bumpkin? Who&#8217;s the dead nail?<br />
The purple clown in the city<br />
his legs wide, jeers.<br />
Who&#8217;s the pumpkin? Who&#8217;s the harlequin?<br />
Who&#8217;s the Bozo?<br />
Who&#8217;s the buffoon?<br />
The red clown in the city<br />
his mouth ear to ear, mocks.<br />
Who&#8217;s the loser? Who&#8217;s the misfit?<br />
Who&#8217;s not in? Who&#8217;s inferior?<br />
The cut-out clown in the city<br />
his bandanna fluttering, cries.<br />
Who&#8217;s the reject? Who&#8217;s thick wood?<br />
Who&#8217;s the nitwit? Who&#8217;s outside always?</p>
<p><strong>Crow in the mind</strong></p>
<p>At quarter past five<br />
the crow caws and flies past<br />
in the morning sky; I do not see it<br />
as I lie in the couch and it seems<br />
then it flies past<br />
in the landscape of my blank mind</p>
<p><strong>Table-talk Portrait</strong></p>
<p>This lady talked for three hours,<br />
she talked to, not with; she listened<br />
awhile when the others managed to put in a word,<br />
and nodded and went on speeding on her talk<br />
going in circles like a toy train<br />
on the same track in a room</p>
<p><strong>Possibilities</strong></p>
<p>i)</p>
<p>I suppose one&#8217;s<br />
accomplishments<br />
license this pleasure;<br />
but surely one must think<br />
of other people&#8217;s<br />
accomplishments<br />
and pleasure</p>
<p>ii)<br />
a human being<br />
is but a vessel<br />
and the empty one<br />
allows plenty of vibrations</p>
<p>iii)<br />
one must have a conviction,<br />
to talk like that,<br />
that one is interesting<br />
(in spite of the evidence<br />
the pretence of the polite and the meek<br />
right before one&#8217;s face)<br />
and one can be interesting<br />
continuously</p>
<p>iv)</p>
<p>it comes from an arrogance<br />
that one&#8217;s battles are immortal<br />
and in one&#8217;s battle -<br />
in spite of the protestations<br />
and qualifications -<br />
one must always have been right and wise</p>
<p><strong>Afterthought</strong></p>
<p>But how do you explain<br />
a torrent of words<br />
that sweeps other people along<br />
and drowns them and their words?</p>
<p>Man in the image of the job</p>
<p>What would the Ancients say of us<br />
if they could see us now?<br />
Circumstances make a man&#8230;.<br />
in these times,<br />
one is what one does; the self<br />
is moulded in the routine of a paying job;<br />
the person is the construct of the job&#8230;<br />
For take the man or woman out of a job<br />
and give him or her no occupation, no means of survival,<br />
keep one out of the environment and culture<br />
one got used to and almost thought second nature<br />
and you will observe how like an addict<br />
deprived of drugs the unemployed become&#8230;<br />
irritable, meaning-deprived, nervous and<br />
nothing in the discourse.<br />
For put one out of a means of survival<br />
in these times when we pick and pluck everything we need<br />
not in farms but in supermarkets<br />
put one out of a way of earning one&#8217;s bread<br />
and see how quickly down the hill one goes<br />
like a rolling stone that gathers no moss&#8230; See<br />
how even their most passionate interests fizzle out<br />
when the comfort base and the firmament are<br />
taken and concealed in some suburban garage<br />
a pity that a man must become dependent<br />
in order to eat and provide for the family<br />
and a sense of one&#8217;s worth, one&#8217;s value<br />
a sense of meaning<br />
must all depend on a job and a pay<br />
O how this modern workaday material and payaday<br />
world has eaten into us<br />
and we are but what our means are</p>
<p><strong>Of a distant place</strong></p>
<p>I was lying down in the sofa<br />
thinking over things<br />
when the mind settled in<br />
on a distant place;<br />
it thought of how we used to get across<br />
at a particular junction<br />
and it produced pictures<br />
from many angles<br />
of the road, the lights and the people -<br />
and in a flash I was there<br />
in this far away place.<br />
Then I was suddenly in a dark tube<br />
and it took me a while<br />
to slip out of this tricky mind<br />
and I was right here.<br />
Right here<br />
in a specific time<br />
and specific circumstance.</p>
<p><strong>A friend like Iago</strong></p>
<p>There was a man<br />
who kept his distance<br />
but edged closer<br />
to make use<br />
of my hospitality.<br />
There was a man<br />
who kept everything<br />
that was his<br />
but took what<br />
he could of mine.</p>
<p>There was a man<br />
who kept his lips<br />
sealed<br />
and peeped long enough<br />
into my open heart.<br />
He peeped long enough<br />
to make me<br />
shut its doors to all.<br />
It is not good<br />
in the material cities -<br />
in Roderigo&#8217;s Venice<br />
and today&#8217;s Calcutta<br />
all over time<br />
all over the world -<br />
to be honest and guileless;<br />
learn to be double<br />
and to keep tight<br />
your lips and purses<br />
or retire to a quiet deserted cave.</p>
<p><strong>Here and there</strong></p>
<p>(i)<br />
The migrant has many wounds to tend<br />
and in his heart much healing to be done;<br />
there is a long distance he has to travel inside<br />
and triple that to come out.<br />
He offers his apologies to the new country,<br />
and to the old, and he must withdraw<br />
some time now within to understand<br />
from whence and why those incoherent vibrations own him.</p>
<p>(ii)<br />
It is no fault of the place, here or there<br />
or of the people anywhere<br />
for tensions<br />
and contradictions always<br />
abound in a heart and mind<br />
that have lived a long inner life and there<br />
is much need for resolution and compromise.<br />
There are multiple voices that lay claim to one spirit<br />
and there is much need for peace for the soul<br />
to wage its battle within undisturbed.</p>
<p>Things can all fail and the day<br />
be filled with disappointments<br />
and unfulfilled desires and<br />
not a single step towards one&#8217;s wants;<br />
so it shall seem that all things collapse<br />
and this day is lost and all days gone.<br />
So it shall seem  -<br />
but hold on, hang on,<br />
and there shall be respite yet<br />
for the weary traveler, the tired migrant.</p>
<p>Oh put your hands on your tummy<br />
and hang on to your guts<br />
feel your<br />
inner self and be strong<br />
be self-sufficient<br />
for that shall see you refreshed and strong<br />
for another battle yet<br />
of many battles that must be fought<br />
before certainty cometh.</p>
<p><strong>A barren life</strong></p>
<p>(i)<br />
The shops</p>
<p>The fruit&#8217;s finished, all eaten, dear,<br />
so let&#8217;s get to the supermarket for more;<br />
O let&#8217;s go then hand in hand,<br />
you and me, to buy some fruit at Coles.</p>
<p>We&#8217;ve run out of chilies and tomatoes,<br />
all cooked and eaten, dear,<br />
so run along to the store for some;<br />
O go on then as quickly as you can,<br />
sweet child of mine, to buy these at Chan&#8217;s.</p>
<p>No more bread and cake in the pantry, dear,<br />
so let&#8217;s get to the bakery for more;<br />
O let&#8217;s go then my lovely family of four<br />
you and me, to buy some bread and cake at Jill&#8217;s.<br />
And when we&#8217;re at it, little Sara,<br />
would you like those pancakes<br />
that come in the red plastic wrappers?</p>
<p>(ii)</p>
<p>To the Garden</p>
<p>Run along, dear little one,<br />
to the courtyard and<br />
pick a chili or two<br />
from the green plant in the corner;<br />
take a pinch of curry leaves<br />
and come back to mummy<br />
immediately.</p>
<p>Darling Bob, dearest Tom<br />
beside our lemon tree<br />
is thyme and parsley;<br />
gather a handful each<br />
and be back in a jiffy.</p>
<p><strong>The unemployed</strong></p>
<p>At the entrance to<br />
Toowong Village<br />
four young men<br />
stand in a cluster<br />
and talk to<br />
people who<br />
look approachable</p>
<p>Excuse me, sir,<br />
says one to me,<br />
with a pack of envelopes<br />
in his hand.<br />
We are unemployed<br />
and rather than go on the dole<br />
we are trying to earn some money<br />
selling these cards.<br />
Would you care<br />
to buy a pack, please?<br />
I&#8217;m well-dressed today<br />
and he must have thought<br />
I was one of the class<br />
of the employed;<br />
I can&#8217;t bear to tell him<br />
the bad news<br />
in case he thinks<br />
I mock the unemployed<br />
and so I mutter an apology</p>
<p>I move away<br />
pained by my inability<br />
to help<br />
and I see in his face<br />
the pain of another rejection.</p>
<p><strong>Without work</strong></p>
<p>(i)<br />
The false comfort of the weekend goes<br />
and Sunday bed-time awakes<br />
pain and confusion. Monday is as close<br />
as a snake at your heel in the garden;<br />
Monday, the day the privileged called black,<br />
and Monday bites those without work<br />
who will not go anywhere; or if they go,<br />
will go nowhere.  Five days stare at<br />
those with work and without and both<br />
will be exhausted and look<br />
for the false comforts of the weekend.</p>
<p>(ii)<br />
If you call your friends, they shall ask<br />
if you had any luck and what you tried<br />
these your five non-working days<br />
to get a job; you shall have to recount<br />
your misadventures and rejections, and<br />
people will be generous with advice and<br />
wise sayings and creative solutions,<br />
and so you cease to call<br />
and they understand and leave you alone.<br />
After some time you rather enjoy being left alone<br />
and wonder why anyone should bother<br />
contacting anyone at all. Without work<br />
one could be oneself for others will be at work<br />
and one will be left alone to chatterless privacy.</p>
<p><strong>Hope again</strong></p>
<p>(i)<br />
There is hope yet<br />
in the darkest of nights<br />
for the stars still will shine<br />
if you but care to look</p>
<p>(ii)<br />
Dharma does not forsake<br />
anyone who lives by it;<br />
Dharma does not leave<br />
its loved ones<br />
to stand in the streets</p>
<p>(iii)<br />
Surely this trial<br />
is to show me goodness;<br />
surely this trial<br />
is but the journey<br />
to a good end</p>
<p><strong>Emptiness</strong></p>
<p>We creep into our beds<br />
cold, lonely and sinking.<br />
There is an emptiness that pervades all<br />
as one lies in bed, a wingless pod covered by cloth<br />
and a mind taken by some inhabitant<br />
that has sucked all thoughts dry<br />
and looks for congealed blood in the marrow</p>
<p><strong>Gloomy</strong></p>
<p>Gloomy as I walked<br />
a sad face floated past me in the street<br />
and I recalled in<br />
The Westside News<br />
of April 16:</p>
<p>When a man is gloomy, everything seems to<br />
go wrong; when he is cheerful, everything<br />
seems right!  Proverbs 15:15<br />
I am not gloomy; everything is right.</p>
<p><strong>Today I bought a book of Goya&#8217;s works</strong></p>
<p>Today I bought a book of Goya&#8217;s works<br />
and we debated at home if an unemployed man<br />
should have $30 for Goya. Goya is priceless,<br />
there was no dispute, but what&#8217;s the price<br />
on an unemployed man&#8217;s head? What&#8217;s an<br />
unemployed man worth? Can he spend<br />
thirty when there are other pressing needs at hand?<br />
Was it<br />
The Nude Maya<br />
on the jacket the<br />
man not working wanted? (Such a thing in a<br />
yuppie&#8217;s head is art; such a thing in an<br />
unemployed man&#8217;s hands is lust.)</p>
<p>I thought Goya should have the last word<br />
and I opened to a page at random:<br />
Bloodstained Saturn ate his children.</p>
<p><strong>Gentle Clare</strong></p>
<p>I don&#8217;t give a damn, Clare,<br />
if<br />
in the world of bloody idiots<br />
none cares or knows<br />
or if<br />
I am<br />
a memory lost<br />
amongst those<br />
who put their hands on my shoulders<br />
and said they were my friends or brothers.<br />
I don&#8217;t give a fuck, gentle Clare, for these things;<br />
my woe like yours is</p>
<p>I am yet what I am none cares or knows<br />
to give me a paying job<br />
so that I can get a home where I can rest,<br />
with the grass below, above, the vaulted sky.</p>
<p><strong>Finesse</strong></p>
<p>Those of you who would have your children learn<br />
good manners, politeness and subtlety,<br />
I tell you<br />
for what my twenty years of experience<br />
as a teacher<br />
and 14-year expertise as a parent of two are worth<br />
send your children to these writers<br />
of rejection letters.</p>
<p>Nay, laugh not at me,<br />
for this ancient race of master craftsmen<br />
are the originators and true progenitors<br />
of subtlety and finesse<br />
and our children can learn<br />
restraint, control and refinement<br />
through the words of these wise scribes.<br />
For these truly are endowed with<br />
savoir faire.<br />
The migrant and the illiterate<br />
the migrant who doesn&#8217;t have a job<br />
and the adult who can&#8217;t read<br />
have one thing in common:<br />
they need to hide;<br />
they need to hide themselves<br />
from those who shouldn&#8217;t know.<br />
Both secretive and quiet,<br />
not wanting to be discovered.</p>
<p><strong>Gentle sleep</strong></p>
<p>In the middle<br />
of an uneventful week<br />
with miles of disappointment<br />
and circled in endless space of red brown terrain<br />
and even in the middle of unending uncertainty<br />
may you sleep well tonight<br />
may you sleep quiet and tight<br />
undisturbed by your mind<br />
undisturbed by alarms in the psyche<br />
undisturbed by haggard sirens within.<br />
Sleep well and not awake till late in the morning<br />
and not be wakened for a pee or for a drink<br />
to keep the dry burning throat wet<br />
or be wakened by thoughts that have their own<br />
volition<br />
that clamor like crabs in a rattan basket.<br />
May you sleep well and sleep tight,<br />
and rise rested and ready<br />
unsuspecting of a better day.</p>
<p>Let loose<br />
and sleep well;<br />
do not dwell long too much on things that could be<br />
on what you could have done<br />
and must be done;<br />
let go<br />
and sometimes trust in things<br />
to sort themselves out<br />
for the way does<br />
what the will cannot</p>
<p>Do what you can,<br />
let go and sleep well;<br />
do not dwell again and again on<br />
how else you can fight<br />
how else you can control events and<br />
not let them master you<br />
to make meaning out of things nebulous<br />
and out of your control<br />
and why circumstances and events don&#8217;t<br />
shape and move like they can or should<br />
Sometimes let things sort<br />
themselves out;<br />
for chance works better<br />
than control and order</p>
<p>Let go, sleep well,<br />
take yourself deep into your burrow<br />
so deep nothing can find you<br />
so you can take the rest that will give you<br />
the strength to meet again the waiting<br />
that may leap up again and again<br />
like the ubiquitous kangaroo</p>
<p><strong>Many gifts</strong></p>
<p>There are many gifts<br />
bestowed on a man<br />
many blessings<br />
he is endowed with;<br />
let him use these<br />
rather than be weighed down<br />
in the obsession with one misfortune<br />
For always it is a man&#8217;s nature<br />
that will see him through the longest nights</p>
<p>Let him look to the beauty<br />
all around him<br />
(though she may seem shriveled<br />
in the face of troubles)<br />
and this will teach<br />
him to ride his roughest trials</p>
<p><strong>The unemployed and the Wise Ones</strong></p>
<p>The wise ones tell the unemployed:<br />
There is hope. Keep trying.<br />
There is yet hope &#8211; the unemployed lives on<br />
such a thin line, for though there have been<br />
continual rejections, there are yet three applications<br />
to which replies have not come &#8211; and when they do,<br />
there will yet be hope for the three rejections<br />
will be superseded by three or four more applications pending.<br />
There is hope yet &#8211; the unemployed lives on,<br />
censured by the wise for being negative if he<br />
thinks of the rejections<br />
and otherwise being censured too for being a hopeless<br />
optimist.<br />
There is yet hope for the unemployed who keep trying,<br />
their heads buried, and in deference to the wise ones<br />
who will offer advice and comment in spite of everything.</p>
<p>The un-embittered unemployed,<br />
the hopeful unemployed<br />
is fair game to the wise ones.</p>
<p><strong>She was in the profession</strong></p>
<p>She stopped her work at her lawn when she saw me<br />
and leaned over the fence and we talked for over two hours<br />
with my elbow on her posts and my feet resting<br />
against the palings.</p>
<p>She had worked forty years in the same profession<br />
and had seen generations through the doors. She<br />
had enjoyed her work and people still call her to<br />
tell her about themselves; they express their gratitude<br />
and how much of a difference she had made.</p>
<p>She walked down the fence, waved her arms<br />
and returned to the corner where I stood.</p>
<p>But what was work for?<br />
she asked.<br />
Forty years doing what was good for others<br />
but nothing that was good for myself.<br />
What was work for? she sighed.<br />
What were forty years for?  It destroyed me.</p>
<p><strong>Rage of the unemployed</strong></p>
<p>The un-embittered unemployed<br />
come into themselves, cut off<br />
and involved in inner worlds, isolated and taking on<br />
loneliness, talking in loneliness, inviting others to<br />
take a view of the unsuccessful<br />
and unconnected and to keep away, not worth the time of anyone<br />
about to get on and up in the world, not presentable<br />
at social functions where people rub shoulders and<br />
take notes and evaluate  who&#8217;s in and who&#8217;s out.<br />
The unemployed without a rage burn themselves out;<br />
snuff out their own flame and leave for a long time<br />
a curl of grey smoke<br />
over a shortened candle<br />
become grotesque<br />
with unwieldly lines of wax on its sides.</p>
<p>Rage therefore, ye unemployed;<br />
let not rage die in your hearts<br />
for the unemployed without rage and fire<br />
are blown out like oil lamps<br />
beside the open window.<br />
Rage therefore against the world<br />
that will not let you work<br />
but will humiliate you with words<br />
Rage therefore against the world<br />
that will take away your dignity<br />
and shuffle you from one office to another</p>
<p>rage and rage unabashed<br />
rage and rage uninhibited<br />
rage and rage unbridled<br />
rage and rage unrestrained -<br />
for rage becometh the unemployed;<br />
for rage giveth<br />
what the world would take away.</p>
<p><strong>Mr Unknown</strong></p>
<p>See this Mr Unknown<br />
he walks hard<br />
is comfortable in himself<br />
but in our eyes only a phantom</p>
<p>See him emerge from his unit<br />
go down the stairs (the ceilings cleaned of cobwebs)<br />
and he puts his hand in the mail box.<br />
See this Mr Unknown<br />
you look at with your elbows on your window sills<br />
walking down the pavement toward the station.<br />
See this strange Mr Unknown<br />
suddenly appear before you in the atrium<br />
and a faint smile appears on his lips<br />
and a fainter one in yours as you recognize each other<br />
looking into each other&#8217;s opaque worlds through glass.<br />
See Mr Unknown get into a train<br />
and disappear into a world of his own<br />
and see him late at night<br />
returning in the dim light<br />
as you peer over your windows<br />
because you heard the crack of a twig.<br />
Mr Unknown<br />
retires into his dark unit.</p>
<p><strong>Passing the buck</strong></p>
<p>Whose fault is it that he&#8217;s still walking<br />
without a job? You can point to him<br />
and he can point to you, one can point to another<br />
and so go on with<br />
a charade of Departments of Employment<br />
and come will-nilly naught.</p>
<p><strong>What holds things together?</strong></p>
<p>What holds things together?<br />
He thought<br />
his passions and his interests held things together.<br />
He thought he was resourceful and strong<br />
and that did the trick for him.<br />
He thought<br />
his resilience and his training held things for him.</p>
<p>What holds things together?<br />
Something he never reckoned<br />
had such importance;<br />
losing reality over time in comfort<br />
something he had taken for granted.<br />
Because if you&#8217;re in a city<br />
and survive dependent in an economy,<br />
there&#8217;s only one thing<br />
that holds things together. A job.<br />
He didn&#8217;t know this till<br />
he had given it up in one place<br />
hoping to get it in another.<br />
Because if you&#8217;re in a city<br />
you either create a job as entrepreneurs do,<br />
or get a job as a survivor.</p>
<p><strong>Change</strong></p>
<p>If this goes on I wonder<br />
what shall become of me<br />
I shall become Mr Melancholic, possibly.<br />
Head down, shoe laces loose, part collar in<br />
and part out and belly button missing,<br />
trousers frayed at the bottom and pocket sides<br />
and my thin lips turned down. Mr Melancholic,<br />
after all. A melancholy, an unnamed grief shall eat me<br />
that sit where I will or stand where I will<br />
it shall have its victim bent double<br />
and I shall feel it attack from deep in the pits of my stomach<br />
and incapacitate me. I shall be motionless and helpless<br />
at this possession and melancholy shall lead to depression,<br />
not that I shall know its progress at every stage.<br />
But it shall not be a melancholy<br />
it shall not be a regression<br />
without a rage, an anger. And it shall not<br />
be a fall without vengeance<br />
I shall become The Malcontent;<br />
bearded and rapier in hand<br />
confused between scepticism and cynicism<br />
hovering between good and evil<br />
and easily persuaded to darkness.</p>
<p>And the psychologists and the counselors<br />
and the sociologists<br />
will analyze me and dissect me and study me.<br />
I shall become the subject of discussion.</p>
<p><strong>Are you not done yet with these people?</strong></p>
<p>Are you not done yet with these people?<br />
Have your people not hunted them and killed<br />
them like beasts and not shamed them enough?<br />
Have you not taken and plundered too much already<br />
that you must mock them and badger them and pursue them<br />
even in their fallen state?  Did not<br />
those of the continent who set foot in the New World<br />
cut natives limb by limb? Did not Jesuits and monks<br />
witness that even those in the flock<br />
impregnated pagan slaves for profit? What crime could be worse than enslaving another human being<br />
with corrupt holy men justifying slavery?<br />
Are you not allied to these<br />
and yet you will point a finger at the defeated?<br />
Will you judge them? Will you mock them still?<br />
Are you not done yet with these people?<br />
Have your people not hunted them and killed<br />
them like beasts and not shamed them enough?<br />
God forgive us all,<br />
and Christ forgive you;<br />
O no, you are not done with them;<br />
you have not done with them yet<br />
till you set right the wrongs.<br />
Surely you are not done with them,<br />
nor Christ with you.</p>
<p><strong>Everything can cease</strong></p>
<p>Everything can cease&#8230; when confidence peters,<br />
falls and breaks on granite boulders and scatters,<br />
everything can cease. Things first slow down,<br />
sputter and choke like a dirty burnt-out machine<br />
and then cease. Everything can cease. One&#8217;s speech, one&#8217;s<br />
mannerisms and manners. Oh, peace can cease.<br />
The world can cease. Religion and Faith can be depleted<br />
and cease. Art and Music can cease. Poetry can cease.<br />
All things end and begin in Causation.<br />
The centre gives way and there is<br />
no need for meaning.<br />
Dance can cease. Activity can cease. Curiosity<br />
can cease. Effort can cease. Beauty and Life cease.<br />
Meaning can cease. Action can cease. Life can cease.<br />
Naivety and Trust &#8211; all things must cease.<br />
All things good and bad that arise must come to an end<br />
all in good time.</p>
<p><strong>Is there hope in this letter?</strong></p>
<p>It seems to hold out a ray<br />
and the vague words<br />
deny nothing while holding out time.<br />
There is mention of a flood of applications.<br />
Your application is now being considered.<br />
The paper and the words become Holy Writ.<br />
The message is round and round,<br />
the words considered<br />
every way like a living text&#8230;.<br />
The recipient sees hope; the recipient sees<br />
routine procedure&#8230;</p>
<p>They want me; they want me not;<br />
they want me; they want me not&#8230;<br />
Is there hope or not?</p>
<p><strong>You&#8217;ve got the wrong man</strong></p>
<p>You&#8217;ve got the wrong man,<br />
can&#8217;t you see?<br />
Don&#8217;t stop me,<br />
you unemployed at the mall,<br />
wanting to sell me cards and envelopes<br />
and appealing for coins<br />
as you lean against the railing<br />
your legs spread out and placards declaring your intents</p>
<p>Don&#8217;t call out to me<br />
and offer me the deference<br />
you might give<br />
an employed man<br />
for you make me uncomfortable<br />
and I don&#8217;t want to disappoint you</p>
<p>You&#8217;ve got the wrong man,<br />
can&#8217;t you see?<br />
And do you not see<br />
I have denied you not thrice<br />
but more?<br />
So don&#8217;t look at me.<br />
Don&#8217;t look at me<br />
for I&#8217;ve nothing to give you<br />
(though I&#8217;ve given when I could)<br />
as you and I are the same<br />
except perhaps it&#8217;ll be some time yet<br />
before I too declare myself<br />
with cards, envelopes and placards.</p>
<p><strong>What will the morning bring?</strong></p>
<p>What will the morning bring? Will it bring<br />
any hope at all? Or will it still have<br />
me lingering round the phone<br />
like an unemployed worker standing at the dock<br />
eager, waiting to be called,<br />
and sighing after many a false alarm?</p>
<p>What will the next morning bring?<br />
Will it be at ten<br />
a letter of offer<br />
or just me with my open palm<br />
in the cold letter box<br />
pulling out a brown envelope<br />
that proves<br />
no news is good news</p>
<p><strong>Memories that linger</strong></p>
<p>These are not nightmares, painful thoughts<br />
not complexes or deprivations or phobias<br />
but just memories that linger<br />
in the recesses and folds<br />
and they weasel in and out<br />
and hop across the red plains of the mind<br />
filling a void, recreating what happened<br />
in another world till something parallel and more passionate<br />
happens here in this.<br />
They have their own existences and will breathe and live<br />
and play out their lives in their own time<br />
and at their own leisure.<br />
They do things in here;<br />
they wage war<br />
and they entertain themselves<br />
and make me<br />
dream of a few friends still in other quarters<br />
how we sat down together in the warmth of the sun<br />
for coffee or tea; and they sit there mouthing<br />
words and making me in that life utter words I never did;<br />
they conjure a particular road junction or a<br />
building that loomed over it pondering over<br />
the meaning of tarmac and concrete.<br />
There is a tree that stands in conversation<br />
with a fruit and children sit in the shade.</p>
<p>The memories linger and play out their own lives.</p>
<p><strong>Dignity</strong></p>
<p>You&#8217;re not going to take mine away<br />
you&#8217;re not going to get me down<br />
with your polite replies and silences<br />
with your civilized condescension<br />
legally-closed and properly-handled processing<br />
and accommodating tolerance</p>
<p><strong>Going it alone</strong></p>
<p>These days I&#8217;m going it alone<br />
I&#8217;m seated in the train that roars past<br />
concrete and earth and dirt and buildings<br />
and that enters darkness and into light and darkness again.<br />
It is good to go; it does not matter where.<br />
I&#8217;m seated on the metal bench in the mall<br />
and there is the image<br />
seated inside looking out<br />
through my eyes.  There is the world<br />
and the people all around me.<br />
I see me going and coming;<br />
it is good to come &#8211; it does not matter to what.<br />
My hands are in my pockets<br />
and the hat over my head<br />
and I&#8217;m walking on the road that<br />
plunges down from the station<br />
and stretches out long and far inviting<br />
those with time to go on for as much as they can.<br />
It is good to go wherever you can;<br />
and it is good to come however you want.<br />
Untidy and unshaven most days,<br />
neat and presentable on good days.</p>
<p>I am at the coffee stall<br />
and the man on the opposite side<br />
stares back at me.<br />
It seems to me many such men<br />
walk the streets.</p>
<p>There are moments<br />
when it&#8217;s like being a marsupial in a daze;<br />
a creature preyed on<br />
by a poison-spewing predator.<br />
The feeling is there between the chest and abdomen<br />
a weight that pulls the mass in<br />
and sinks beating its wings.</p>
<p>Fear seizes<br />
and the victim freezes.</p>
<p><strong>More of the unemployed</strong></p>
<p>In China Town<br />
stands a man alone<br />
with half a smile in his lips<br />
and with a bunch of pens<br />
in each hand.<br />
He has a laminated placard<br />
over his chest<br />
held by a string round his neck.<br />
Please help me<br />
survive.<br />
I am unemployed<br />
but I&#8217;m not giving up.<br />
Pens for $2.Ä<br />
The passers-by look away<br />
or ignore the clenched fist of pens<br />
and I, no less guilty,<br />
skirt round the pillar to avoid the man<br />
holding his own in Fortitude Valley.<br />
I&#8217;m sorry,<br />
I whisper to myself;<br />
when I find a job I&#8217;ll be kind.<br />
I don&#8217;t look back<br />
as I flee,<br />
leaving him to stand alone<br />
like an aside in a play<br />
and just as important.</p>
<p><strong>Dignity of labor</strong></p>
<p>During the day<br />
I punch keyboards and meet deadlines;<br />
I work in enclosures and hold my face away<br />
as I answer calls<br />
(I am practiced in cadence,<br />
sounding confident and caring<br />
and yet distant)<br />
and send off neat replies<br />
I need not be responsible for; in the evenings<br />
I stop at Coles and pick what I need:<br />
bananas, oranges, tomatoes, vegetables, greens,<br />
bacon, lamb chops and beef steaks and my six-pack and<br />
cokes and pizzas in boxes and sauces in tubes.<br />
I work and I eat and the basis of my life<br />
is the dignity of labor.</p>
<p>We care; we serve;<br />
We protect the Department</p>
<p><strong>So what do you make of me?</strong></p>
<p>What do you make of me<br />
that you issue me these letters and forms<br />
and make me wait endlessly and give<br />
good circumspect chatter if I ask what I<br />
should do next?<br />
What secret conclusions<br />
form the basis of your dealings?<br />
What do you intend to make of me?<br />
Perhaps you visualize my future as a<br />
mute tight-lipped nodding Indian<br />
in his convenience store,<br />
neatly put out in the<br />
quietest lane<br />
of a distant suburb. Pleasant and agreeable<br />
you will have me, smiling and ready to serve,<br />
immobile at the counter, briskly walking<br />
to the shelves to serve you<br />
when you deign to come on an odd<br />
shopping spree<br />
to get exotic spices and newly-heard of condiments<br />
that you will probably store for long in<br />
your kitchen and throw away anyway.<br />
You will not have me out of your<br />
collection of stereotypes, will you?</p>
<p>No, I shall not allow you to<br />
insinuate me into worthlessness<br />
with your cold and bureaucratic silences<br />
and ready-made answers<br />
for I know my worth<br />
as you yours.</p>
<p><strong>The Fool</strong></p>
<p>How would you like to meet<br />
the Fool you only dealt<br />
with in paper and print?</p>
<p>How would you like to see Feste in the skin,<br />
blood and bones? How would you like to watch<br />
in person the clown whom you disbelieved<br />
and collected papers from<br />
to laugh at<br />
in your shared cubicles and private rooms?<br />
Care to hear the oaths and curses<br />
you&#8217;ve taught the Department Jester<br />
whom you turned into Caliban?</p>
<p><strong>I understand now</strong></p>
<p>How naive I&#8217;ve been, trusting and misunderstanding<br />
your cold masculine words of bureaucracy.<br />
I filled in your forms and proffered<br />
full information<br />
and followed leads and hints<br />
like an ass led by the nose.<br />
I thought telling you I have a family will<br />
put me in a good light and thought you would<br />
appreciate dealing with a family man who would<br />
be a role model in a school; but no,<br />
you saw how expensive I could be if you had<br />
to get me accommodation; how inconvenient and cumbersome<br />
it would be  assuring me of a place for one child<br />
in a primary and one in a high school. I thought you<br />
would appreciate twenty years of experience<br />
coming from an Asian city, a Tiger city, coming<br />
with faith and dedication  but I didn&#8217;t know<br />
you were locked in your parochialism and narrow world</p>
<p>How naive I&#8217;ve been faithfully delivering every<br />
document<br />
on request sans promise and reason</p>
<p><strong>Where&#8217;s the dignity in all this?</strong></p>
<p>There is no dignity in how you have treated me<br />
for your language has always been discreet and evasive<br />
mute in honesty<br />
and eloquent in bureaucracy</p>
<p>You need to rely on this<br />
for obviously<br />
you do not know truth and simplicity</p>
<p><strong>It is all clear to me now</strong></p>
<p>It is clear to me now<br />
no wonder your people told me that<br />
(they still tell me that)<br />
I had to be aggressive and insistent<br />
I had to pursue matters; no use in<br />
being co-operative and compliant<br />
they told me that with a retiring disposition<br />
such as mine<br />
we will run all over you.</p>
<p><strong>On unpaved roads</strong></p>
<p>I&#8217;m still walking unpaved roads<br />
where the shadows hide all who walk<br />
still in a quiet rage and all thoughts subdued<br />
unknown, unacknowledged, unaccepted<br />
without space and enclosed<br />
inhabiting a Kafkaesque inhibiting world<br />
with a unique identification number<br />
and chasing paper -<br />
posed like Rodin&#8217;s statue<br />
but in truth an emptied scarecrow</p>
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		<title>Part One    Job Search, Brisbane</title>
		<link>http://migrantpoems.wordpress.com/2009/11/04/part-one-job-search-brisbane/</link>
		<comments>http://migrantpoems.wordpress.com/2009/11/04/part-one-job-search-brisbane/#comments</comments>
		<pubDate>Wed, 04 Nov 2009 01:48:34 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[movement of peoples]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Brisbane]]></category>

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		<description><![CDATA[Who are these
who from outside have held me afar?
<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=migrantpoems.wordpress.com&amp;blog=10250619&amp;post=9&amp;subd=migrantpoems&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p>Part One</p>
<p>J<em>ob Search, </em><em>Brisbane</em></p>
<p>&nbsp;</p>
<p><em><img class="alignnone" title="Brisbane" src="http://upload.wikimedia.org/wikipedia/commons/e/ee/Brisbane_CBDandSB.jpg" alt="" width="750" height="536" /></em></p>
<p>&nbsp;</p>
<h2>Job Search</h2>
<p>&nbsp;</p>
<p><em>Brisbane</em><em> &#8211; several applications later</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>Who are these</p>
<p>who from outside have held me afar?</p>
<p>(proffered a hand but to push me out)</p>
<p>who have stood behind wholesome words,</p>
<p>genial manners and glib postures</p>
<p>to stand me at the edge?</p>
<p>each</p>
<p>bold with a name</p>
<p>not hiding behind a</p>
<p><em>nom de plume</em></p>
<p>though using designation and position</p>
<p>but each faceless, or if met, poker-faced</p>
<p>They set out procedures and invite applications</p>
<p>they hold out forms (and hope) by mail, fax and website</p>
<p>but who are these?</p>
<p>Who are these</p>
<p>who have been measured</p>
<p>and silently cunning? Keeping a semblance</p>
<p>with distinct communications</p>
<p>and standard letters&#8230;</p>
<p>Many with cheerful vibrations</p>
<p>on the phone,</p>
<p>efficient-sounding;</p>
<p>so many mysterious and hidden</p>
<p>in district offices&#8230;</p>
<p>&nbsp;</p>
<p>How can I get near?</p>
<p>How can I break through?</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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			<media:title type="html">Brisbane</media:title>
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		<title>The Migrant  (notes of a newcomer)</title>
		<link>http://migrantpoems.wordpress.com/2009/11/04/the-migrant-notes-of-a-newcomer-2/</link>
		<comments>http://migrantpoems.wordpress.com/2009/11/04/the-migrant-notes-of-a-newcomer-2/#comments</comments>
		<pubDate>Wed, 04 Nov 2009 01:42:03 +0000</pubDate>
		<dc:creator>migrantpoems</dc:creator>
				<category><![CDATA[a migrant&#039;s poems]]></category>
		<category><![CDATA[jobs]]></category>
		<category><![CDATA[migration]]></category>
		<category><![CDATA[movement of peoples]]></category>
		<category><![CDATA[places]]></category>
		<category><![CDATA[poetry]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[diaspora]]></category>
		<category><![CDATA[families]]></category>
		<category><![CDATA[humanity]]></category>
		<category><![CDATA[migrants]]></category>
		<category><![CDATA[people]]></category>

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		<description><![CDATA[The Migrant - notes of a newcomer<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=migrantpoems.wordpress.com&amp;blog=10250619&amp;post=6&amp;subd=migrantpoems&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<h1>The Migrant</h1>
<p><em>notes of a newcomer</em></p>
<p><em> </em></p>
<p><em> </em></p>
<p>(February 1997- July 1998)</p>
<p><img class="alignnone" title="world migration" src="http://upload.wikimedia.org/wikipedia/commons/2/2e/Net_migration_rate_world.PNG" alt="" width="377" height="174" /></p>
<h1>The Migrant</h1>
<p><em> notes of a newcomer</em></p>
<p><em> </em></p>
<p>(February 1997- July 1998)</p>
<p><strong>Contents</strong></p>
<p>°  Introduction</p>
<p>°  Part One</p>
<p><em>Job Search, </em><em>Brisbane</em><em> </em></p>
<p>°  Part Two</p>
<p><em>Life Resumed, </em><em>Brisbane</em><em> </em></p>
<p>°   Part Three</p>
<p><em>The Pinch of Poverty</em></p>
<p><em> </em><em>Adelaide</em><em>, July 1998</em></p>
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